José Ibarra Rizo explores quiet moments at Wolfgang Gallery
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José Ibarra Rizo explores quiet moments at Wolfgang Gallery

The Southern landscapes that serve as the backdrop for José Ibarra Rizo’s photographs — scrubby fields, railroad tracks, kudzu vines, massive oaks, intense light and deep shade — are familiar subjects in art. However, the presence of contemporary migrant communities within that landscape imbues such depictions with new energy and significance.

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Burnaway: Deathbed Scene by Jacob Todd Broussard at Wolfgang Gallery, Atlanta
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Burnaway: Deathbed Scene by Jacob Todd Broussard at Wolfgang Gallery, Atlanta

It starts with an orb, at least according to Jacob Todd Broussard. The artist points towards a small work by the lesser-known modernist painter Forrest Bess, Untitled (1950),”1 by addressing it in his painting and the accompanying essay by Emile Mausner also speaks to the work. Bess’ painting is a strange object, employing scarce symbols sourced from a dream state and framed in driftwood sourced near his home. In Broussard’s painting it is framed once, then twice more, viewed on an older television as an Antiques Roadshow segment. This translation, from dream-like vision to painting to television broadcast to painting again, is essential to understanding Broussard’s secret histories. I likely would’ve never seen Bess’ painting without Broussard as my guide.

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ArtsATL: Review: Stephen Thorpe’s pristine dreams at Wolfgang Gallery
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ArtsATL: Review: Stephen Thorpe’s pristine dreams at Wolfgang Gallery

On exhibit at Wolfgang Gallery through May 18, Stephen Thorpe’s Who Looks Outside, Dreams; Who Looks Inside, Awakes is a paradoxical new body of work continuing Thorpe’s prior vision in a regionally distinct register that reflects the years the New York-based British artist spent teaching in Georgia.

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The Dallas Art Fair Arrives with Must-See Galleries and Artsy Events
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The Dallas Art Fair Arrives with Must-See Galleries and Artsy Events

Over the course of four days beholders, collectors, and connoisseurs can immerse themselves in works of art crafted by artists from various parts of the world. The Dallas Art Fair returns to the Fashion Industry Gallery in Dallas April 4–7. This year marks the 16th anniversary of the Dallas Art Fair, and director Kelly Cornell is excited to inspire visitors.

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Scenes from Queering the Fair tour at Dallas Art Fair
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Scenes from Queering the Fair tour at Dallas Art Fair

The Dallas Art Fair was held this weekend with galleries from all over coming to the Fashion Industry Gallery in downtown. The fair was open to the public Friday-Sunday. On Saturday morning, the Pride Museum of Texas Director, Michael Dewberry hosted a tour of the fair titled Queering the Fair: Celebrating the Artistic Achievements of LGBTQIA+ Artists.

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Aspire: For The First Time, Artist Stephen Thorpe Brings His Metaphysical Works To Atlanta
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Aspire: For The First Time, Artist Stephen Thorpe Brings His Metaphysical Works To Atlanta

This month, Wolfgang Gallery presents artist Stephen Thorpe’s first solo exhibition in Atlanta, “Who Looks Outside, Dreams; Who Looks Inside, Awakes.” Open March 22 through May 18, 2024, the series features a new body of work that offers a survey-like introduction to the artist’s practice, informed by his ongoing interest in architecture, nature and cultural archetypes.

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Artsy: 5 Emerging Art Capitals to Watch in 2024</a>
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Artsy: 5 Emerging Art Capitals to Watch in 2024

With the art world calendar returning to pre-pandemic levels of frenzy, new cities are emerging as bonafide destinations for art lovers and professionals alike. From museum openings to thriving gallery scenes, new art fairs and bustling collector ecosystems, we list five cities off the art world’s well-beaten track that promise exciting creative encounters.

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Haitian artist uses fashion to probe power structures in ‘Rewriting History’ at Gardner Museum
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Haitian artist uses fashion to probe power structures in ‘Rewriting History’ at Gardner Museum

A dress is the centerpiece of Haitian American visual artist Fabiola Jean-Louis’ exhibition “Rewriting History” at the Isabella Stewart Gardner Museum, though the term hardly seems sufficient to describe this artwork. The electric blue gown is a careful balance of elegant ruffles and pleats, featuring the wide hip structure and low neck popular in the 17th and 18th centuries. But unlike those silk constructions, this sartorial masterpiece is made entirely out of paper.

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